Adam Lurie is that envy-inducing example of someone who wholly loves his work. There are no boring moments, no drudgery—it’s invigorating. It’s meaningful. Look no further than the Fourth Circuit Court of Appeals Ruling upholding the injunction against President Trump’s proposed travel ban for proof. On behalf of the American Jewish Committee (AJC), on whose board he sits, Lurie argued for the ruling in front of the court earlier this year; its critical decision came just before Memorial Day.
“I am surprised by our different cultures, our different values,” he said. “In the month of joint orientation, we are mostly from different cultures, we celebrate Shabbat, and that was new for me, for all the Nepalese. In this festival, we have cooperated with each other. We cooked together and we eat together, and we discuss together.”
“This idea—to have identity but to be open to the world—very much impresses me,” he went on. “In the same way that there are Birthright programs, there should be Earthright programs that combine community identity with universal will to make change in the world.” If anything describes the couples’ modus operandi, it’s that.
Erin Zaikis’s work demonstrates the same truism: big ideas for social change start modestly. Now 27, the Massachusetts native is the brains behind Sundara, a three-year old non-profit organization that hires unemployed and underemployed women in India, Uganda and Myanmar to recycle hotel soap using a zero-waste process, and makes them hygiene ambassadors in communities that suffer from high rates of death from diarrhea, pneumonia and other hygiene-related maladies.
We’ve done a lot to demonstrate how comedy can create social change: peace talks between Israeli and Palestinians comedians, a roast of the city of Jerusalem, a summit that brought together head writers of the world’s best satire shows to discuss how senses of humor differ across cultures. We broke the world record for the most international writers’ room, with 15 writers from 15 different countries writing a sketch together—which will hopefully be featured in the next season of Eretz Nehedert.
“It was really my first exposure to this idea and reality that there were Jewish communities that were living and dynamic and exciting in Europe, and outside of Israel and the United States,” said the 31-year-old New York City resident. What he found in those communities was far different from what he’d grown up with in his suburban, Conservative Jewish household: overseas, he was caught off-guard by his peers’ stories of not knowing they were Jewish until a grandparent disclosed the information.
Growing up, Demby played violin and piano, and as he grew older he came to realize “how music can be the voice for the voiceless and music can heal the world, and I really stand behind that. I try to do things that use music to unify people,” he said. In many ways, that philosophy is one with the Sacred Music Festival, which aims not just to introduce people to new genres, but to use art, sound and creativity to foster moments of grace and forge connections.
“I was a part of an experience where 50,000 people lived together in complete harmony and respect and acceptance of each other. It’s really a place where each of us can be whatever he or she dreams to be and society around you accepts it and encourages you to be who you truly are. And the feeling of being part of that experience—not reading about it or watching a YouTube video, but physically being there—just became part of my DNA. I felt soaked in it.”